Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Friday, January 12, 2007

White Men Playing Didgeridoos


Musical fusion experiments rather beg the question: What works? And, what doesn't? As you might expect, I've got some opinions on that issue. You see, I have a problem with white men playing Didgeridoos (didjeridu). I know, I'm risking the ire of all the new age music gods, but I'm just not convinced the pairing is anything other than uncomfortable at best, and a really, really bad idea at worst. Speaking only for myself, that's not how I define fusion. Affectation, maybe. Cultural dysphony, for sure. But not fusion.

As presumptuous an assertion as that may be, I am mindful of the definition of fusion: the merging of two colliding nuclei into a third, more robust nucleus accompanied by a burst of high-energy. You know, enough to make you dance or exclaim out loud: "Now that's what I'm talking about." Jazz fusion qualifies, Celtic fusion often works; and Afro-Caribbean sounds are da bomb. Jai Uttal and the Pagan Love Orchestra is a personal favorite, with their fusion of Indo-European sound into Hindustani modern jazz.

White men playing Didgeridoos? Those nuclei just don't merge. No way. And the energy released by the impact? Well, let's just say it surely won't cause the sun to come up every morning or the moon to move across the evening sky.

So where does one draw the line? All instruments had their origins somewhere else, right? In most cases, that is an accurate statement. And, an instrument is an instrument. Can't argue with that either. For me, the question is best framed: What works? There are as many answers to that question as there are individual points of view. I believe, however, that I can say with some certainty that the personal determination of what works and what doesn't often goes beyond facts and logic, defying simple explanation. It's a limbic system thing. Visceral, if you like.

I must admit that Didgeridoos have an obvious role in lush, musical soundscapes. Likewise in ambient drones and experimental new age anthems. And of course, I don't consider any of those pseudo-genres to be real music. I'll occasionally go to sleep on Sunday nights listening to Hearts of Space, but I view the show as more of a sedative than a musical experience. Kind of like a Chloral Hydrate or Benadryl. Sure, I'm looking for some comments here. And if this post doesn't provoke some discussion, I'll know I need to do some serious SEO and get a few bulletins out.

Tuesday, January 9, 2007

Triste Cantado - The New Fadistas




A new generation of angelic-voiced divas has hit the world music scene. And they're all young, beautiful and Portuguese.

Following in the footsteps of Portugal's most famous female entertainer, Amalia Rodrigues, this new generation of highly stylized and emotional vocalists is a musical phenomenon of major proportions - not to be overlooked by serious musical explorers.

Most fans of world music, jazz and the popular music of the 70's and 80's are familiar with Portuguese-language songs from Brazil. More recently, the island of Cape Verde off of Angola has produced a host of well-received Afro-Portuguese vocalists, including: Cesaria Evora; Waldamar Bastos and the Mendes Brothers.

The new divas of Portuguese song are the young "fadistas."

I'm not sure how the Portuguese fado originated. One of the world's most haunting and melancholy styles, the fado has become the modern voice of Portuguese musical traditions - just as the Samba is the soul of Brazilian music. The word "fado" comes from the Latin fatum, meaning fate, destiny or doom.

The Fado is yearning and melancholy, before all else. The Portuguese have always been widely traveled explorers and seamen. One can only suppose that these long journeys - characterized by homesick sailors and home-bound lonely wives - played a role in the Fado's development.

Structurally, the fado features the Portuguese Guitarra, the classical guitar - called a viola in Portugal - and a strong, often contralto voice. Though a number of male vocalists perform fados, the song is best and most recognizably performed by female artists - who often drape themselves in black shawls while on stage and devote themselves to the tradition. Fadistas perform in a still posture which is solemn and dignified, using hand and facial gestures to add style and emphasis to their songs.

Amalia Rodrigues, Portugal's most internationally acclaimed celebrity of the last century, was a renowned "fadista" who brought her style and presence to stages and audiences worldwide in her heyday. A symbol of the Portuguese culture, there was an official state mourning period of three days when she died in 1999.

Argentina Santos, who, it is written, still lives and cooks in Lisbon, was also a celebrated practitioner of the art of the Fado. Today, young and vital singers like Misia, Mariza, Christina Branco and Malfalda Arnauth continue the tradition. Even Cesaria Evora, Cape Verde's Diva of song, relies on the Fado to really move her audiences. And moving an audience, often to sympathetic tears, is the whole point of a Fado performance.

Songs combine traditional Iberian folk influences with North African, Gypsy and some Middle-Eastern vocal ornamentation. That's my ear and opinion. Like authentic Flamenco in Spain, finding real Fado in Lisbon can be challenging. From what I've read, the smaller bars with no stages, just a couple of chairs for the musicians and a created space for the vocalist, are the best bets. And there is a tradition of absolute silence while listening to Fado being performed. I'm sure that speaks to the emotional content of the songs, whether you understand the language or not. The passion and yearning are palpable.

Sample playlist

Song Artist

Fado Da Saudade Amália Rodrigues
Guitare Triste Amália Rodrigues
Dura Memoria Amália Rodrigues
O Fado Chora-Se Bem Maria Da Fe
Medo Mariza
Toada Do Desengano Mariza
Que Deus me Perdoe Mariza
Primavera Mariza
Fado Arnauth Mafalda Arnauth
Canção Mafalda Arnauth
Cavalo à Solta Mafalda Arnauth
O sabor de saber Cristina Branco
Um Fado Palavras minhas Cristina Branco
Soneto de separação Cristina Branco