Guitar players, like the music they perform, come in all flavors. French Gypsies like Django Reinhard; Flamenco virtuosos like Pepe Romero; acoustic masters like Leo Kottke; Classical legends like John Williams; country pickers like Sean Watkins; good old rock and rollers like Johnny Winter or Eric Clapton; and, Calcutta slide guitar pandits like V.M Bhatt.
I've been listening to a lot of great slide guitar lately, and that got me on a mad research rage through the net and my ever-growing collection of digital music. From my own collection, I dialed up a playlist of all of Tony Furtado's slide tunes. Being a resident of my own neighborhood, the Pacific Northwest, Furtado is a personal favorite. He's really known for his banjo, which people are forever comparing to Bella. Sure, they're both out-of-the-box but IMHO the similarity ends there.
I love Furtado for his slide, and his engaging, emotional tunes that are beautifully minimalist. Not an unnecessary note. Tight, without being sparse. As a bonus, Kelly Jo Phelps - himself an accomplished and celebrated slide player - adds his bluesy growl to several of Furtado's songs. What a great pairing. If you haven't heard Kelly Jo's version of "Goodnight Irene" on his own disc, Shine Eyed Mister Zen, check it out for a real treat.
Arlen Roth is an unsung institution. I should know. After years of serious guitar worship, I just found out about the guy. I'm humbled. He's awesome, and always has been. Raucous, Southern slide slamming - often at full speed - that's Arlen Roth. The guy can shift gears, however. His acoustic version of Layla is something special. We send him our love and celebrate his passage from considerable recent grief to a better place and his resultant new work. Dial-up Arlen Roth: When A Man Loves a Woman. Check it out.
Slide guitar players ply their trade across a variety of musical styles. Rock and Blues genres have always had a lion's share of the greatest slide players. Eric Clapton, Duane Alman, Eric Johnson, Johnny Winter, Robert Cray, and a personal favorite: Robben Ford. Alternative country bands also spotlight the slide.

Now here's the brain warp. My wife and I were at Quebec City's really wonderful Summer party, the Festival d'ete, a few years back listening to music all day at sites all over historic old-town. On the steps of the main, downtown station we stumbled on this Indian guy playing slide. Yea, uh huh. Still, stranger things have happened so we sat on a 400 year-old wall and listened. This guy, V.M. Bhatt, played a modified Gibson archtop acoustic that he had modified with 17 additional strings. That's right, 17. Bottom line, the instrument became more Sitar-like and better able to handle the complicated scales of classical Hidustani music. He played a lot of that, then launched into a lighting fast version of Orange Blossom Special. We were floored.

No comments:
Post a Comment