Wait. What?? There's a "World Cup" of Tango? How totally awesome and unexpected is that?
Here's my personal "Tango" playlist from the Pop Impulse YouTube Channel. You knew we had a YouTube channel, right?
Showing posts with label musicology. Show all posts
Showing posts with label musicology. Show all posts
Wednesday, August 31, 2011
Sunday, May 4, 2008
Vivaldi Opera Revived 278 Years On
I was intrigued to read today about Czech composer/instrumentalist and rare music sleuth Ondrej Macek's re-creation of the long-lost Opera Argippo by Baroque composer Antonio Vivaldi. This commissioned work had been thought lost forever, until Macek discovered the music for about two-thirds of the opera and re-wrote the rest. And of course once re-written and ready-for-prime-time, the show had to be staged. Nice story, read it here. And check out this vid of the artists rehearsing for the recent contemporary debut.
Vivaldi
Opera
Vivaldi
Opera
Thursday, December 6, 2007
Why Should the Devil Get All the Good Tunes?
The International Herald Tribune, a very good source of international news and opinion, reviews today a new recording that chronicles the transition of African-American music from rural to urban environments in the pre-WWII timeframe. Compiled by the late folklorist, musician and professor, Dr. John Work III (pictured), Recording Black Culture was recently released by Spring Fed Records, a label based in Woodbury, Tennessee, according to the IHT article. Since the roots of Be-Bop, R&B, Boggie Woogie and the Blues can be traced to African-American culture, this release is of some note. Check out the mp3 clips that can be downloaded from the review. Spring Fed is worth checking out just because of their catalog of American roots music.As the article notes, the release of this newly discovered collection of historic tunes has fueled the academic dispute around the work of pioneering folklorist Alan Lomax, who told part - but not all of the story of this important period in African-American culture. Now, that record is much more complete.
Labels:
African American,
Folk music,
John Work,
music,
musicology
Thursday, June 21, 2007
Spain's Musical Regions & Traditions
I was listening to my local NPR station the other day and to my surprise was treated to a story about my favorite Spanish band, Ojos de Brujo. I first discovered this group in a mesmerizing LINK TV video about a year ago. I was hooked. I was surprised to hear the NPR announcer refer to the band's eclectic and infectious style of music as Barcelona Bastardo. Didn't think the respectable Catalans would take a shine to this edgy sound. I was wrong (again). When asked, I describe this band as "Flamenco Fusion." With Gitano roots and a Flamenco soul. To this core, the band adds hip-hop; Andalus Arabic ornamentation; Cuban rhythms, even raggae. And it all works in a magical sort of way. Check out this video for a taste.When most music lovers think of Spain, Placido's tenor or the guitar of Andres Segovia often come to mind. Perhaps a favorite Flamenco tune. Digging deeper, Spain has arguably the richest musical tradition in all of Europe.
The music of Andalucia in the south is influenced by the Moorish era and has distinct Arabic elements. Thanks to another NPR story, I recently discovered the music of Ghada Shbeir. A Lebanese singer with an Masters in Musicology, she has taken some time, effort and love to reconstruct the songs of Al-Andalus. There are few other opportunities around to hear thousand year-old songs. Not exactly easy listening, these pieces are however very valuable bits of Arabic and European history, reflecting a unique moment when the two cultures were at their closest. For the musically curious, this new CD is a real wonder. And yet another thread in the colorful tapestry that is Spanish music. You can hear a BBC interview with Shbeir and a sampling of her songs here. During Moorish rule in Spain, diversity was encouraged and common. The Spanish Jewish community flourished at this same time. I've posted before about the Ladino language music of the Sephardic Jews here.
Travel a little farther north and you're in the heart of Flamenco country. Gitanos, Spanish Gypsies, are the principal performers of Flamenco song and dance. Their colorful and musical festivals are a regular draw during the "Flamenco season." Here are some Flamenco artists of note.Of course, the Castellanos of cental Spain have their own unique folk traditions outside the Flamenco space. There is no better exemplar of this kind of traditional music than the celebrated band: La Musgana. Check out a sample of their sounds in this video (Picao).
The Catalans in Barcelona have their own musical traditions and further west into the Pyrenees one encounters Basque country with a decidedly different musical tradition that pre-dates even the Moors. Basque music, often dances played by a small group including a diatonic accordion, Alboka flute, fiddle and a wooden percussion instrument, is rich in folk tradition with a unique sound all of its own. The group Alboka is building quite a substantial presence on the World Beat scene.
In the north, on the Atlantic coast of Spain is one of only two Celtic colonies remaining on European territory. (The other is Brittany on the coast of France.) Here's a piece of trivia that will win some free microbrew in a pub wager: The world's most popular bagpipes player, based on CD sales, is a Spaniard. That's right, as counter-intuitive as it may sound. In 2007, when this post was originally written, Hevia sold more CDs of bagpipe music than any other recording artist. Who'd a thought? His video gives one a taste. Yea, that's what I'm talking about. Hevia is following in the footsteps of the greatest Galician piper of all times, Carlos Nunez. He performed at Celtic Colors on Cape Breton Island last year.
Then, of course, there's that sort of dreamy, new-age flamenco guitar thing. Since I'm not much on "new-age" music, I'll leave that alone.
Ah, Spain. The most "emotional" country I have ever had the pleasure of visiting - and I've been back on three occasions. One element that is common across all Spanish music I have heard, regardless of genre, is the passion and authenticity that is communicated through song, dance and instrumental performance.
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